Fantasy Covers

In my last post I claimed that British fantasy covers work better as e-covers than their American counterparts. If you look at the two rows on the A3 Book Chart named ‘Original Covers’ and ‘Updated Covers’ I think you can see this pretty clearly. Here are a few examples for those who can’t see the chart.

09 The Way of Kings   09wayofkings   09a The Way of Kings UK    1955

03 Dragon Keeper   43098   03a Dragon Keeper   88138

04 Robert Jordan   33496   04a Robert Jordan  37770

In all these examples the British covers (on the right) work better as e-covers. The pictures are clearly drawn, without variation in colour and tone. The text is large and block-coloured. The contrasts between light and dark highlight the titles. In the original covers (on the left) the artwork is beautiful and detailed, but entirely lost in thumbnail and greyscale. The text can be large enough, but it often merges with the background due to similar shades of grey.


Working in Greyscale Part 2: Working in Grey and Colour

A cover that works well in greyscale runs the risk of being rather bland and simple in colour. One technique to ensure that the cover remains interesting in colour is employed effectively by Beasts of the Walking City. The cover is mostly black and white, so the skyscrapers and the cat eyes are clear in both colour and greyscale. The dark text stands out clearly against the light background. This is a cover that works well in greyscale. In colour, the green highlights have been added to the eyes and to the text. Eyes are often an arresting image that draw the attention and the green only adds to this effect. The colour adds to the impact of the image, without doing anything to make it confusing in grey.

1578a   15787947

The cover of The Magpies does the best job of working in both colour and greyscale. In colour the entire cover is in shades of blue. The darkblue of the ground, the trees and the title, compared with the light blue of the mist, the girl’s dress and the water, fading to white behind the title. The authors name is also in white. The only other colour is the pink flesh of the girl. The contrast between her pink skin and the blue background makes helps to make her the focal point. This colour palette does a brilliant job of evoking a sinister and melancholy mood; it highlights the helpless solitude evoked by her pose.

In greyscale the mood of the blue is lost. The subtle variations in shade become a wash of grey. The contrast between the blue background and the pink girl is lost in the grey. The picture loses a great deal of its detail and and seems flattened. However, the contrast between the dark text of the title and the light background becomes more effective. The title really stands out in the greyscale. Likewise, the small white text of the authors name is rather lost in the similar shades of the colour cover. In greyscale, the name is clear and highlighted by the contrast.

In the colour version the cover had mood and a focus on the image. In the greyscale version the focus is on the title which stands out to the reader. Both covers work well, but differently.

03 THE-MAGPIES   17048

Edited to add: After I published this post I looked at the two images of The Magpies above and thought that they did nothing to support my argument. They both have clear text and image, the image isn’t clearer in colour, neither is the text clearer in greyscale. Please look at the A3 book covers charts. When you view these covers in thumbnail, competing against a host of other covers for your attention, then you get a better idea of how they stand out.

Why is this blog a blog?

In the instructions for this assignment we were encouraged to think about the form that the submission would take. At first, it seemed obvious to me: I was going to focus on ebook covers, so I should make an ebook of covers! I would probably do it in epub format so it could be read on any device.

However, it soon became clear that this wasn’t going to work. An ebook is usually viewed in greyscale, as the e-ink screens don’t show colour. How could I compare colour and greyscale covers if I couldn’t show the colour cover? It is also notoriously difficult to get the formatting right in flowable ebooks that inclue images. I decided to write it as a blog instead. The blog format has all the benefits of being online, allowing me to easily link to references and further reading, and it allows me to separate different points into different entries.

I wanted to be able to compare a large number of covers at once, but this isn’t possible on the small screen of an ereader. In fact, it isn’t really possible on the average computer screen. My assignment was going to need a physical component. I intend this blog to be read in conjunction with an A3 copy of my Book Cover Chart which lets you easily compare a range of different thumbnail covers in colour and in greyscale.

If you don’t have a physical copy then here is an online version (click to see it in large). I don’t think you get the same overview by looking at the online version as you do by looking at the physical version, but it’s still useful.

Book Cover Chart